She was one of the greatest voices, but she died at the age of 48. Whitney Houston was found drowned in the bathtub after consuming a cocktail of cocaine and other substances.
A film about the singer's life is now being prepared in Hollywood, after the diva's heirs gave their consent.
The film "I Wanna Dance With Somebody" will be co-produced by New Zealand screenwriter Anthony McCarten, who has already written the script for the new production. Anthony McCarten, 58, has had great success with a number of recent productions, all of which are biographical films - "The Theory of Everything" (2014), "Darkest Hour" (2017), "Bohemian Rhapsody" (2018). ) and "The Two Popes" (2019).
The production will bring to light many of the stories Whitney Houston lived behind the curtain, after her hidden life was presented to the public in several documentaries. "Whitney" recounted the testimony of some people who claimed that the artist was sexually assaulted in her youth by a cousin. The second documentary, "Whitney: Can I Be Me", evokes the singer's love affair with another woman, Robyn Crawford.
"I know Whitney Houston's story hasn't been fully told yet," said Clive Davis. The famous music producer specified that the script of the new production will be "without taboos" and "rich in music".
The filmography of Brad Pitt on an excellent half consists of fantastic characters: demigods, heroes of alternative history, or someone inflamed and longing for absolute consciousness. And this, of course, is no accident. We talk about the 20 most memorable roles of Pitt, who tirelessly quenches the audience's longing for the ideal.
Brad Pitt movies
True Romance, 1993
Not all of Brad Pitt's best roles have been major ones. We open the list with an unexpected film by Tony Scott, in which Pitt has a cameo but underestimated role. The scriptwriter of True Love was Quentin Tarantino, who gave Pitt's hero Floyd the phrases that went to the people. Throughout the film, Floyd lies on the couch and smokes marijuana; in the picture's credits, he is listed as "Dick's neighbor."
Despite being constantly in the background, Pitt manages to vie for audience attention with Christopher Walken, Gary Oldman, and Dennis Hopper. Aside from this fun and story-setting performance, True Love is worth watching for the brilliant performances of Christian Slater and Patricia Arquette in the central roles.
Legends of the Fall, 1994
In Legends of the Fall, Brad Pitt plays Tristan, one of the three sons of a single father who lived in the Montana desert in the early 1900s. The epic drama based on the novel by Jim Harrison tells about great love and war, about the fate of the brothers, and all the losses and betrayals that have befallen them. The timing of this picture is appropriate for those that seem like a lifetime.
Pitt is young and boasts golden curls, a mathematically symmetrical face, bright blue eyes, and excellent physical shape. But initially, the equally young Johnny Depp claimed the role of Tristan. It's good that the choice fell on Pitt. The film can charm any unprepared viewer, so beautifully he plays the one suffering from pain - these sufferings suit Pitt.
Twelve Monkeys, 1995
Science fiction mystery by Terry Gilliam. Convicted James Cole (Bruce Willis) travels back in time to find out who released the virus that wiped out most of the people. Brad Pitt plays Jeffrey Goines, an animal rights activist and the son of a virologist, whom Cole met in a psychiatric hospital in 1990. He becomes the prime suspect, but it will take Cole much more than one time jump to prevent future tragedy.
To get into the role, Pitt consulted with a psychiatrist, trying to grasp the difference in behavior between mentally ill people and those who suffer from conduct disorders but whose mental health is relatively safe. Pitt's efforts were rewarded: he was nominated for an Oscar and won a Golden Globe for this role.
Se7en, 1995
It seems like a classic: a young detective works with a veteran investigator who only dreams of an upcoming quiet retirement, but in the performance of David Fincher, such a trite story turns into a dark thriller about the temptation of evil.
Brad Pitt plays Mills, a headstrong rookie who, along with the seasoned Morgan Freeman's Somerset, tracks down a zealot serial killer who puts on a macabre performance about the seven deadly sins. One of Fincher's best and darkest films, and a brilliant performance by Pitt. The final scene with his participation is, without a doubt, one of the most memorable in his entire career, and indeed in the history of cinema at the end of the 20th century.
Troy, 2004
Bringing the story of the Trojan War to the screen was not easy, but it certainly proved to be within the power of the talented director Wolfgang Petersen. And the best thing about this timeless epic about love, war, gods, and people is Brad Pitt as the great demigod warrior Achilles.
To appear before the public as a deity, Pitt followed a strict diet for more than six months and attended grueling daily workouts. And after some time, he lived as a hermit in a centuries-old hut in Mexico to understand the character's loneliness. Since he was perfect for this role, it is only natural to see him as a Greek warrior to this day. Another impressive fact from the set: Pitt and his primary opponent in the story Eric Bana (he played the role of Hector) refused stunt doubles for their epic fight but instead agreed to pay each other money for each accidental injury.
Fight Club, 1999
The role of Tyler Durden in "Fight Club" became a turning point for Pitt and finally approved him as the hottest guy on the big screen. Chuck Palahniuk, the author of the novel, later recounted how, during filming, Pitt thanked the writer for "the best role of his life." And although critics coldly received the film immediately after the premiere, it has gained a considerable number of fans and cult status over time.
This story about desperate young people starts with street fights and ends with a world revolution. The conspirators are brought to the boiling point by different but equally hot questions: from social inequality to an existential crisis and a thirst for higher justice. As the movement leader, Pitt delivers one immortal speech after another, attracting an entire army of angry young men under his banner. Brad's performance is charming, nasty, sexy, and intimidating. But most importantly, here, he is disarmingly charismatic; that is, he has everything that is necessary for the role of the ideal alter ego of the downtrodden office clerk played by Edward Norton.
Burn After Reading, 2008
With Joel and Ethan Coen, Brad Pitt starred in a small but rare comedic role for him as fitness instructor Chad. He was accompanied by George Clooney, Frances McDormand, and John Malkovich. The film is about two gym employees who try to sell the memoirs of a CIA agent to the Russian embassy under the guise of valuable information.
Ethan and Joel originally wrote the character with an eye on Brad Pitt and did not fail: no one looks as comical in a business suit on a bicycle, does not chew gum, and does not get involved in spy games with the disarming simplicity of an average man who has seen enough Hollywood trash. And even costume designer Mary Zophres, while working on the film, noticed that even cheap suits sit well on Brad. When his character Chad first meets Osborne Cox, he introduces himself as Mr. Black, the same name given to Pitt's character in Meet Joe Black.
Inglourious Basterds, 2009
In Inglourious Basterds, Quentin Tarantino creates a brilliant alternate history of World War II. A group of Jewish American soldiers infiltrates Nazi-occupied France to destroy fascist leaders. The head of this squad is the brave and arrogant Lieutenant Aldo Rein (Brad Pitt) or Apache Aldo, who teaches his people to be "cruel to the Germans" in Apache, collecting scalps.
Tarantino tries to make the story as ironic as possible, and Pitt helps him greatly in this. Here, with a fake scar on his neck, he jokes in complete rude and harsh jokes with the accent of a former moonshiner from Tennessee. What is the scene in which he pretends to be an Italian film director in front of the SS commander, desperately using all his poor vocabulary! And even if you're not a fan of Tarantino films, Pitt's impressive, darkly hilarious performance as Aldo is hard to underestimate.
Ad Astra, 2019
In James Gray's Ad Astronaut, Pitt plays astronaut Roy McBride on an unexpected mission to find his father, Cliff, who disappeared from radar ten years ago in outer space. Cliff searched for extraterrestrial intelligence when Roy was 16 and ultimately lost contact with Earth when Roy was 29. After an agonizing contemplation, McBride Jr. also leaves his family and goes on a commercial flight to the moon, which is the first leg of his journey.
Pitt endures almost the entire film on his shoulders. Most of the other characters are just fleeting shadows on the screen. In space, a person is primarily alone, especially if he prefers to be left there. Brad has come to a point where he can't rely on his comedy skills. Ad Astra is a beautiful but severe deadly film that casts Pitt as a man whose blatant depression virtually robs him of his emotions for years to come. So in this long journey, the viewer will have to be content with the tension with which his jaw muscles are tightly compressed and how inevitably and more and more clearly the wrinkles around the eyes appear.
Once Upon a Time... in Hollywood, 2019
In Quentin Tarantino's best film, Brad Pitt teams up with fellow lead star Leonardo DiCaprio to form the perfect comedy duo. In a world where history meets fiction, two fictional characters, Rick Dalton (DiCaprio) and Cliff Booth (Pitt) travel to 1969 to accidentally prevent the worst murder in the Hollywood Hills - the death of Roman Polanski's wife Sharon Tate at the hands of Charles Manson.
Cliff is Rick's double and stuntman in the films and his driver, housekeeper, and handyman when they're not filming together. He wears a denim jacket, does not have sex with minors, and seems to be hiding a dark past. A real brave cowboy in a fictional universe, he rebuffs Bruce Lee himself (which is why the film was never released in China). Playing Cliff, Brad Pitt received an Oscar for his supporting role and a Golden Globe.
Thelma and Louise, 1991
It can be considered that this particular role was a turning point in Pitt's career - although his name is not even on the promotional poster and in the opening credits, and the actor himself plays a sexy con man named JD who charms Geena Davis and steals her savings for seven minutes on screen. after a night together. Classic Pitt. This performance in the short program cemented Pitt's status as a Hollywood sex symbol and helped them land much more significant and more serious roles. Many mistakenly believe that Interview with the Vampire and Where the River Runs launched a rocket called Brad Pitt, but make no mistake, Thelma and Louise was Baikonur.
The big short, 2015
Pitt plays Ben Rickert, a former Wall Street trader who predicts the 2008 financial crisis. As director Adam McKay described his character, Pitt appears 10kg heavier, with a "Ken Burns haircut" and even a tie tag to make it look like he was just bought at the airport. The film received an Oscar for the best-adapted screenplay; Pitt acted not only as an actor but also as a producer.
Snatch, 2000
This was the era when Brad took off his shirt - and either kicked someone's ass or got his ass kicked. A turning point came somewhere between the "Big Jackpot" and "Fight Club" for Pitt. And it is "Snatch" that remains for many of the most beloved roles of Pitt, a boxer, always ready to start a fight or fight back, in Guy Ritchie's stylish and crazy film. If you watch it in the original dub, turn on the subtitles. Otherwise, you will not understand what he is saying. Either he has the best or worst accent in the movie. Either way, it's unforgettable.
Interview with the Vampire, 1994
Interview with the Vampire is far from Brad Pitt's best film: his recently bitten vampire, Louis de Pointe du Lac, is either embarrassed or constipated in every scene. He deserved a place on the list for one reason only, but it is the size of a Gothic castle: somehow, Pitt managed to keep a good face, having Tom Cruise as his partner. I'm sure the one who thought he was a rabid vampire Lestat de Lioncourt. During the filming, he fed exclusively on the blood of marsh creatures and rushed around Spanish Louisiana like a super-fast raccoon. I mean, how did Pitt manage to keep his cool when Tom, damn it, Cruz was squeezing rat intestines into a wine bowl with both hands?
Killing them softly 2012
Another fascinating story of American criminal enterprise. Few actors have landed a role as stylish as hitman Jackie Coogan. While this character, performed by Pitt, is going to the city, where a new order is waiting for him, Johnny Cash's The Man Comes Around is playing. And although Coogan may not decide, by the text of the composition, who to release and who to blame, he nonetheless appears as a specific biblical force tasked with equalizing the stakes of the underworld. He removes two stupid and low-grade thugs, thereby changing the balance of power in the mafia. With slicked-back hair and a neatly trimmed goatee, Pitt's character is breathtakingly reserved, and only subtle gestures and fleeting facial expressions betray the burden of regret that weighs on his shoulders like mileage weighs on his car's speedometer.
The Curious Case of Benjamin Button, 2008
Few sex symbols will agree to become great-grandfathers on the screen, albeit aged with the help of special effects. But Brad Pitt is no ordinary sex symbol. The plot of The Curious Case of Benjamin Button is taken from a short story by F. Scott Fitzgerald and is extremely simple: Benjamin Button ages in reverse, which means he was born old and died young. It's a slow, thoughtful film, a profoundly human but not overly sentimental tale of the torturous relationship between love and time. Pitt, as an actor, is not lost either in special effects or in make-up - he is soft and serious, optimistic and romantic; he literally takes out this picture on his hunched shoulders. He knows it, and he never stumbles.
The tree of life, 2010
"The Tree of Life" by Terrence Malick is one of the most controversial, but also one of my favorite films. The complex theme the director addresses is time in its cosmic sense, shown through a microcosm of a suburban Texas family in the circa 1950s. Pitt plays Mr. O'Brien, a strict disciplinarian with infinitely high expectations who teaches his three sons to identify love with fear. The crew cut, pin-tucked trousers, and measured austerity sum up to illustrate the collective image of not only paternal but also mid-century American masculinity. The Tree of Life is a sensual masterpiece with an ambitious vision, at the core of which is Pitt's electrified hero embodies the sublime, tormenting, demanding love that will define both the traumas and victories of his three sons for decades to come.
Ocean's Eleven, 2001
Ocean's Eleven has been one of the biggest box office hits since 2001, and it's easy to see why: it stars four of the era's iconic movie stars, George Clooney, Matt Damon, Julia Roberts, and Brad Pitt. With Clooney as a slick, seasoned swindler and Damon as a rookie with his first significant commission, Pitt's notoriously minor character, Rusty Ryan, had much more acting freedom. Pitt endows Rusty with the "beguiling but dangerous menace" traits he'll unleash in Once Upon a Time in Hollywood. Like in some other films, Pitt quite rightly relies on his ability to be charming and handsome, but hey, even if everyone could do it, he would still be that guy from the Pringles commercial.
The Assassination of Jesse James by the Coward Robert Ford, 2007
Perhaps no film more beautiful than this has ever been made in the 21st century (thanks to the incomparable cinematographer Roger Deakins). Maybe none of Pitt's roles is more fascinating than this one. Ford Casey Affleck is obsessed with Pitt's character James; Ford idealizes him, bringing the image to the point of absurdity, a ghost that materializes and disappears without warning. James robs trains and casts plaintive glances across the vast plains; in both cases, he is a mythical celebrity of the American West. Pitt embodies this complex image, balancing on the verge between a hero whose fate could well become a children's fairy tale and an ordinary person who tends to fluctuate between boundless happiness and uncontrollable ruthlessness. On the one hand, Jesse James is the prism through which the film examines all the legendary criminals and, given the media fascination with James, our complex relationship with the "stars" of different spheres. On the other hand, Pitt - equally dreamy and frightening - convincingly tells us the far less glamorous and much more easily categorized truth behind this bedtime story.
Moneyball, 2011
A movie about a bunch of old white guys sitting around their pants in conference rooms discussing baseball statistics doesn't sound like a good movie choice for the evening. Moreover, this does not pull on a role of the caliber of an award or even just a nomination for an Oscar. However, thanks to a screenplay from Aaron Sorkin and a genuinely emotional performance by Brad Pitt, The Man Who Changed Everything became a phenomenon much more than the usual “movie about sports”. It retells the true story of Billy Bean, the general manager of the Oakland As baseball team, who used sabermetrics in the 2002 season to build an unbeatable team. This brought Pitt another Oscar nomination. And if you reconsider the final heartbreaking scene in which Billy listens to his daughter's song in tears, it becomes unclear why he lost to Jean Dujardin in that very nomination (the film "The Artist"). In the case of actor Brad Pitt, it often feels like he's playing the part of Brad Pitt, but in this film, he melts into the role of a father trying to deal with all his inner shit. Having listed all his iconic parts - crazy, sexy, funny, active, it's nice to leave the central role of a dad who is trying to save his relationship with his daughter.
